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Pamiętnik Teatralny
Scopus
ISSN 0031-0522 · Institute of Art of the Polish Academy of Sciences · 479 articles in the index
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Journal Article
Postdramatic Tendencies in Czech Avant-Garde Theatre: Reconsidering the Case of Director Emil František Burian and His Production of "May" (1935)
This article analyses the production May (1935) by the Czech avant-garde director Emil František Burian, based on the famous Romantic poem by Karel Hynek Macha. The production combined voice-band recitation, music, dance and life action with the projection of photographs and film footage. The paper…
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Machines for Communication New Media and New Theatre in Avant-Garde Conceptions
The Avant-Garde art of the beginning of the twentieth century had its nascence alongside that of the mass media. The parallelism of the languages of these two phenomena is also important for the modern perception of performativity, which has been reflected in modern theories of theatre. The new…
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Journal Article
Teatr i dramat jezuicki w kolegium w Krasnymstawie
Jezuickie kolegium krasnostawskie nie należało do czołowych placówek edukacyjnych w dawnej Rzeczypospolitej. Działający przy szkole teatr nie był do tej pory przedmiotem zainteresowania badaczy (literaturoznawców czy historyków teatru). Artykuł wypełnia tę lukę i przybliża dzieje sceny…
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Journal Article
Teatralne eksperymenty Katarzyny Figury
Autorka, odnosząc się do głównych założeń eseju Lindy Nochlin Dlaczego nie było wielkich artystek?, pokazuje, że Figura jest teatralną eksperymentatorką i aktorką charakterystyczną gotową do wykonywania niekonwencjonalnych zadań. Amerykańska historyczka sztuki pisała o marginalizowaniu pracy…
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Journal Article
Ceci n’est pas un pape: Mimesis and Mediatization in Papal Performances by Jerzy Kalina and Oliver Frlijć
Artykuł stanowi analizę porównawczą instalacji Zatrute źródło (2020) Jerzego Kaliny i spektaklu Klątwa (2017) Olivera Frljicia, wykorzystujących wizerunek Jana Pawła II. Autor przedstawia strategie użycia medium rzeźby w obu performansach papieskich, zwracając uwagę na zacieranie granic między…
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Journal Article
An Intermedial Cabinet of Obscurities: Media-Archaeological Excavations in Performance
This article frames the essay-cluster Theatre, Media, and the Archaeology of Spectacle as an “intermedial cabinet of obscurities” and argues that media archaeology, paired with intermedial performance studies, enables theatre history to be rewritten as relational micro-histories rather than as a…
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Journal Article
Manual Cinema: A Unique Hybrid of Shadow Theatre and Cinematic Practices
This article explores the phenomenon of “manual cinema”—a notion independently adopted by various artists to describe their original practices that hybridize shadow theatre with both historical and contemporary image-projection technologies. The concept of manual cinema is consistently developed by…
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Journal Article
P. T. Barnum, the Freak Show, and the (Re)presentation of the Anomalous Body
This article addresses the characteristics of the nineteenth-century American museum of curiosities created by Phineas Taylor Barnum in its historical perspective with a particular focus on the stage shows known as freak shows. Considered the founder of American entertainment, Barnum specialized in…
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Journal Article
Otakar Zich: Ku fenomenologii teatru i cielesności doświadczenia aktora w relacji z widzem
W artykule, zainspirowanym przekładem na język angielski klasycznej publikacji Otakara Zicha, Estetika dramatickeho umĕni została przedstawiona z odwołaniem do możliwej recepcji dzisiejszej. Książka od pierwszego wydania w 1931 funkcjonowała wyłącznie w języku czeskim mimo istniejących…
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Journal Article
Displaying Ukraine, Negotiating Europe: An Unexpected “Success Story” at the Eurovision Song Contest
The paper examines two decades of Ukraine’s participation in the Eurovision Song Contest (ESC), charting the trajectory from “no place” at the periphery to a “success story” and a safe bet at the ESC. Departing from the positionality of a “double subaltern” in a blind zone between the West and…
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Journal Article
Televoting Ties: Reciprocity Among Central and Eastern European Countries in the Context of the Eurovision Song Contest
Traditionally, research on how and why people vote for acts in the Eurovision Song Contest covers aspects such as geographic proximity, the language of a song, or effects of prior exposure to acts, mostly without discriminating between the popular and the jury vote. To put televoting behaviour in a…
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Journal Article
Performing Europeanization: The Case of the Post-Yugoslav Countries
The Eurovision Song Contest (ESC) is not merely a normative platform for the projection of Western soft power, but also a stage on which (trans)national identity formation can play out. This article examines how two post-Yugoslav Southeastern European states, Bosnia-Herzegovina and Serbia, have…
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Journal Article
‘We Party Like Ladies’: Renia Pączkowska, Verka Serduchka, and the Possibilities of Other Eastern European Identities
In 2003, the Polish trio Ich Troje (The Three of Them) performed the composition Keine Grenzen / Żadnych granic (No Borders) on the Eurovision Song Contest stage, a trilingual (Polish, German, and Russian) anti-nationalist anthem that took the seventh place in the final. Four years later, Verka…
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Journal Article
Performing Slavicness on the Global Stage: "My Słowianie" as a Case of Self- Exoticization and Self-Colonization
Performans słowiańskości na scenie globalnej: My Słowianie jako przypadek autoegzotyzacji i autokolonizacji W artykule analizie poddana została polska propozycja na Konkurs Piosenki Eurowizji My Słowianie – We Are Slavic (2014) jako performans kulturowy, w ramach którego słowiańska tożsamość jest…
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Journal Article
All the Things They Said Were a Lie: On t.A.T.u.’s Eurovision 2003 Entry
The Russian duo t.A.T.u. is undoubtedly a huge pop culture phenomenon. They are the only Russian band to have achieved international success after 1991, and their hits are remembered to this day. The peak of the singers’ career was their performance as the Russian representatives at the Eurovision…
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Journal Article
Polish Aspirations: On Edyta Górniak’s Song "To nie ja!"
This article analyses Edyta Górniak’s song To nie ja!, which placed second at the Eurovision Song Contest in 1994. Górniak’s entry can be seen as an example of the transformation discourse of the postcommunist 1990s, in which the question of Polish aspirations is raised. The article focuses on…
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Journal Article
Eurovision Song Contest and the Iron Curtain: Introduction
This editorial frames the special issue Eurovision Song Contest and the Iron Curtain, examining the Eurovision Song Contest as a site to perform Europeanization and belonging from the perspective of Central and Eastern Europe. The article traces the ESC’s institutional origins in the European…
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Journal Article
"Born in Belorussia", "USSR-Time Belorussia": Belarusian ESC 2011 Entries as Reflections of Clashing State Propaganda Narratives
Born in Belorussia, USSR-Time Belorussia: Białoruskie utwory zgłoszone do ESC 2011 jako odzwierciedlenie sprzecznych narracji propagandowych państwa Celem niniejszego artykułu jest identyfikacja i rozróżnienie strategii propagandowych obecnych w tekstach piosenek zgłoszonych przez białoruską…
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Journal Article
Singing the Nation: Ukrainian Victories at the Eurovision Song Contest and the Politics and Musical Diplomacy (2004–2022)
This article examines how Ukraine has transformed the Eurovision Song Contest (ESC) into a platform for cultural diplomacy and sonic sovereignty. Combining musicological analysis with perspectives from cultural studies and political sociology, it explores three emblematic entries—Ruslana’s Wild…
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Journal Article
Shattering the Iron Curtain: Recent Research on the ESC in Central and Eastern Europe. Bibliography
Bibliography on the topic of the Eurovision Song Contest from the perspective of Central and Eastern Europe. Pamiętnik Teatralny, vol. 3 (2026): Eurovision Song Contest and the Iron Curtain.