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ISSN 0350-1361 · Faculty of Philosophy, Belgrade · 271 artikel di indeks
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Revisiting the damaged scenes in the Hopovo cycle of the Acts of the Apostles
Based on the surviving fragments of a now heavily damaged cycle in the Hopovo narthex, this paper aims to identify its content. The first part establishes the origin of the said cycle, concluding that most scenes reflect models from the Kievan edition of John Chrysostom’s Homilies on the Acts of…
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“In the bosom of Abraham”. Reevaluating the central figure in the arcosolium of the crypt of Saint Christina in Carpignano Salentino
The paper examines the identity of the figure painted in the central part of the arcosolium of the crypt of Saint Christina in Carpignano Salentino, dating to the last quarter of the eleventh century. Drawing on several characteristic programmatic and iconographic elements (the proportions and…
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The cultural and historical significance of the Martvili-Chkondidi cathedral (Georgia) and its eleventh- and twelfth-century decoration in the context of Byzantine art
The article discusses little-known and unstudied decoration from the Martvili-Chkondidi Monastery in western Georgia, presumably commissioned by the royal court. One of the reasons for the monastery’s importance was its special prehistory. The murals and mosaic fragments, based on their high…
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Kings of the earth. Representations of emperors Dušan and Constantine the Great in the illustration of Ps 148 in Lesnovo
In the narthex of the Church of Saint Michael the Archangel in Lesnovo, which was frescoed in 1349, a cycle of the Laudate Psalms (Ps 148-150) is depicted on the vault and walls of the southern bay. The illustration of Ps 148:11-12 on the south wall includes a group of rulers and nobles. The figure…
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A story beyond narrative? Remarks on an unusual cycle of the life of St. George in Venetian Crete
This paper examines a four-scene cycle of the life of St. George painted in the church dedicated to this saint near the village of Mourne (Crete). The unusual vertical layout of this visual narrative and the selection of the episodes depicted at Mourne disrupt the expected progression of the…
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The Holy Martyrs Sts. Sabel and Ismael of Persia in the Katholikon of the Treskavac Monastery. A contribution to the research of their iconography
The paper analyzes the representations of Sts. Sabel and Ismael in the southern aisle of the katholikon at the Treskavac Monastery, where the Persian brothers, uniquely depicted in the lowest register of fresco decoration and both girded with swords, are flanked by the figures of the holy warriors…
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Un détail apocryphe inhabituel dans la "Trinité vétérotestamentaire" du monastère de Dragalevtsi
The church of the Holy Virgin of Vitosha of the Dragalevtsi Monastery was built and decorated in 1475/76. In the upper register of the western wall of the narthex, the image of the Old Testament Trinity / Hospitality of Abraham is depicted. This image presents an unusual apocryphal detail: under…
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Monastic themes in the frescoes under the choir of the church of the assumption on Volotovo field and the prologue
The painting in the area under the choir in the Church of the Assumption in the Volotovo Field Monastery (1363) reflected the Byzantine tradition of positioning images of holy monks, ascetics, and scenes related to monastic themes in the western parts of the church. At the same time, a detailed…
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Observations about the first iconographic layer of the Old Katholikon of the monastery of Kalami, Arcadia (end of the fourteenth - beginning of the fifteenth century)
The Old Katholikon of the monastery of Kalami in Arcadia is built into the rock face. The oldest layer of frescoes covers the north wall of the katholikon, which is, in fact, the face of the rock cave. It is arranged in three iconographic zones and includes the representations of the Entry of the…
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From imperial patron saint to eucharistic typos. St. Elijah’s iconography within Byzantine imperial patronage and liturgical practice
This paper examines the evolving iconography of St. Elijah in Middle Byzantine churches, beginning with the chapel adjacent to the Nea Ekklesia in Constantinople, established by Emperor Basil I in 880. Such depictions gained prominence in the tenth and eleventh centuries across Greece, Byzantine…
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Representation of the parable of the sower in the Miroslav Gospel
The text proposes a new interpretation of the well-known initial found on the left column of folio 56v in the Miroslav Gospel (c. 1165). In the twentieth century, most researchers agreed that this image depicts the Flight of Alexander the Great to Heaven; recently, it has been argued that the…
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Illumination in a forgotten fragment from the Trebnik of the Church of the Holy Archangel Michael in Klinci village (Luštica)
In the church of the Holy Archangel Michael, there is a fragment of the Trebnik (Euchologion or Book of Needs), which is distinguished by its interesting artistic decoration from the period of the transition from the seventeenth to the eighteenth century, when the models of the Rača school, which…
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Iconography of St. George’s triumph over the dragon on the west three-light window at Dečani
The paper examines the iconography of St. George’s triumph over the dragon in the relief of the west three-light window at Dečani from the first half of the fourteenth century. Although the earliest representation of this type in the Serbian milieu, found in the Church of St. George at Staro…
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Texts as images, texts and images: Studying graffiti in the Moldavian Churches as material and devotional practices
This essay analyzes visitors’ graffiti, dated back to the period between the fifteenth and eighteenth centuries, from the churches and monasteries of the Moldavian Principality. Regarding their roles as self-affirmative records, commemorative devices, and communicative tools within sacred spaces…
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Some observations on the oldest icons from Marko’s Monastery (II): Time of creation
The text proposes a dating for the oldest icons from Marko’s Monastery near Skopje, taking into account the sources on the monastery’s ktetors. In particular, it highlights the fact that the proportions of the existing altar barrier, created during the restoration of the church undertaken by King…
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The earliest frescoes in the Church of the Holy Archangel Michael of Tran Monastery
The results of the most recent restoration of the Monastery of Tran (Western Bulgaria) provide one with an opportunity to reconsider the dating of the two early wall-painting layers in the church. The dome of the naos was the first to be painted. These frescoes were made by icon-painters from the…
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Malédictions et sacralité. La conception du revêtement de l’icône de la Vierge Éléousa de Messembrie et son contexte socio-culturel
The icon of the Virgin Eleousa of Messembria is one of the masterpieces of Bulgarian medieval art. Its revetment, dating originally to 1341/1342, has attracted scholarly attention mainly due to the historical data contained in the dedicatory inscriptions. Taking an art historical approach, this…
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Costumes of the Serbian laity in Ottoman-era portraits: Markers of social status and identity
The paper examines Ottoman-era portraits of the Serbian laity from the second half of the fifteenth to the seventeenth century, comparing their costumes with those of Christians represented in the same period in neighboring areas. Informative sources are books with costume illustrations and legal…
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Is the image of Saint Sava presented on the medieval seals of Serbian Patriarchs?
The paper discusses the distinctive features of the seals of Serbian church leaders, with a special focus on the seal used by patriarchs from the second half of the fourteenth to the middle of the fifteenth century. The same seal appears on original charters issued over a period of seventy years. I…
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A Madre della Consolazione icon in the Serbian Orthodox Church Museum in Belgrade: Type and style of a popular post-Byzantine icon revisited
The paper examines an icon of the Madre della Consolazione from the Serbian Orthodox Church Museum in Belgrade. The iconographic type of the Virgin and Child known as Madre della Consolazione originated in Crete at the end of the fifteenth century, while the island was a Venetian dominion. Painter…