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Studi di Estetica (2026)
Scopus
ISSN 0585-4733 · Mimesis Edizioni · 485 artikel di indeks
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La natura rammemorata
The contribution examines Adorno’s re-evaluation of Kant’s “natural aesthetics” as opposed to Hegel’s “philosophy of art”. Taking as a reference point the pages of Aesthetic Theory on natural beauty, on the one hand, and the discussion of the sublime in the Vorlesungen, on the other, the question…
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Foreword
Adorno was a prolific and interdisciplinary thinker whose research lies at the intersection of philosophy, musicology, literary critique and art critique in a broad sense. A significant aspect of his intellectual journey was his confrontation with other key figures from the past and his…
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Adorno and Hegel
Aim of the paper is to highlight the influence of Hegelian dialectics on the elaboration of Adorno's negative dialectics, focusing, in particular, on the fact that the latter must be read not so much or not only as an uncompromising critique of the first one. Rather, negative dialectics must be…
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Adorno e Beethoven
This article aims to present to the reader Adorno's 'Beethovenian' philosophy of music and to analyze, through it, the different stages through which it is possible to retrace the dialectical arc of the aesthetic phenomenon, from the ancestral shudder and the expressiveness of the inexpressible to…
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Adorno e Kierkegaard
This study offers a reflection on the thought of Theodor W. Adorno, in light of his considerations on the writings of the Danish philosopher Søren Kierkegaard. This perspective is certainly less common than interpretative trends that associate Adorno's name with other thinkers, foremost among them…
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Adorno e Kafka
This essay reconstructs Theodor W. Adorno's interpretation of Franz Kafka as the articulation of a natural history of the human. Rather than treating Kafka's work as a symbolic or existential allegory of modern alienation, Adorno insists on a rigorously literal mode of interpretation, according to…
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Adorno and Baudelaire
This article investigates Theodor W. Adorno's engagement with Charles Baudelaire by focusing on three key concepts that structure their dialogue: the nouveau, the inconnu, and the Natur. Drawing on Adorno's published works, archival materials, and aesthetic lectures, the paper argues that…
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Adorno and Marx
This article reconstructs Adorno's engagement with Marx not as a retreat into cultural criticism, but as immanent critique – a transformative actualization of Marxian categories under late capitalism. It identifies four commitments Adorno both inherits from Marx and reworks: human beings as…
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Adorno and Valéry
This essay explores the theoretical nexus between Adorno and Valéry, arguing that their relationship is not one of derivation or borrowing but rather an inseparable consonance rooted in shared conceptual moves. The analysis traces the origins of this nexus, examining how Adorno immediately…
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Adorno and Freud
This article examines Theodor W. Adorno's engagement with Freudian psychoanalysis, especially in the late 1940s and in the early 1950s. It argues that Adorno developed a powerful psychoanalytic interpretation of fascist mass phenomena, based on Freud's theory of identification. At the same time, he…
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Differenza tra il sistema filosofico di Husserl e quello di Cornelius
This article provides a close reading of Theodor Adorno's 1924 dissertation on Husserl, shaped by the ideas of his academic mentor Hans Cornelius. It opens with a brief overview of Cornelius's transcendental-empiricist theory of knowledge (immediacy, memory, and the object as a law-like nexus of…
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Adorno and Lukács
This article reconstructs Adorno's early concept of the philosophical riddle by situating it in a sustained, though ambivalent, engagement with Lukács' work. Adorno adopts Lukács' analysis of bourgeois antinomies and the commodity-form as the experiential core of modern philosophy, while decisively…
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Presupposing primary experience
Against Hegelian idealism and certain strands of Marxism, Adorno defends subjective, somatic, and affective experience, not as immediately true, but as a historically mediated reflection of objective social forces. Such experiences are historically caused, but they are also "primary" insofar as…
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A curious tribute
This paper deals with the role reversal between Kracauer and Adorno – a product of their wrecked homoerotic bond in the early 1920s –, which affected their lifetime relationship and approach to philosophy. Although for different reasons, that failure – concealed and revealed in The Curious realist…
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The glance of the essay
For Adorno, the conditions of possibility of philosophical thought strongly hang together with its modes of expression (Ausdruck), or put differently, its aesthetic forms. The form of the essay was, for him, the medium of philosophical critique par excellence. Not only did he write many essays…
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Introduction. Aesthetics’ eyes on antiquity
The contributions to this issue of “Studi di Estetica” display different ways in which ancient aesthetic ideas can enter modern arts and aesthetics. Ancient authors may show how to revise our accounts of art-appreciation, as Phillip Mitsis argues by appeal to Plutarch, and as Nadezhda Zubova and…
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Rethinking surprise in music through Aristotle’s Poetics
The article revives the notions of thaumaston and thaumasion from Aristotle’s Poetics to study surprise in music perception. A detailed analysis of these terms reveals a previously unrecognised distinction between the potentially and the subjectively surprising, referring to the disposition to…
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Plutarch and everyday aesthetics of living
Contemporary aesthetics describes aesthetic experience in terms of attention, together with absorption, salience, and sustained engagement. Although illuminating cognitive and temporal structures, often implicitly assumed is that richer experience corresponds to heightened responsiveness. Yet, if…
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“Ap-eikonizō”: Odysseas Elytīs, painting and the Platonic reconfiguration of Greek aesthetic continuity
This article examines Odysseas Elytīs’s aesthetic thought through the lens of the reception of antiquity, arguing that his reflections on painting can be read as articulating a counter-genealogy of Western aesthetics. Against modern European accounts that construe ancient Greek art as either a…
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Art as Energeia
The paper examines how the philosophical concept of energeia shapes Aristotle’s theory of art and what it can contribute to understanding emerging art species, especially AI-generated art. First, by tracing energeia across Aristotle’s major texts, this discussion clarifies that the philosophical…