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Creativity Motif of Ringkel Sampang

Yekti Herlina; Sufiana

Mudra: Jurnal Seni Budaya, Vol. 41 No. 3 · 2026 · Indonesia · DOAJ

Purpose: This study aims to analyze the creativity of the ringkel batik motifs produced by Nafa Batik in Sampang, Madura. While possessing strong local wisdom, these motifs have not been widely explored in terms of their visual and creative potential. This research addresses the stagnation in motif…

Cultural Integration in Architecture and Interior Elements of The Grand Mosque of Syekh Quro Karawang

Tita Cardiah; Rangga Firmansyah; Mentari Sucia dkk.

Mudra: Jurnal Seni Budaya, Vol. 41 No. 3 · 2026 · Indonesia · DOAJ

Cultural integration plays a pivotal role in the adaptation of multicultural behavior, influenced of local elements and remnants of past religious buildings can play an active role in supporting the development of mosques as Islamic religious buildings. This study aims to explore how the…

Negotiating Tradition, Market Demand, and Spirituality in the Paintings of Jelekong Artist Iman Budiman

Hilman Cahya Kusdiana; Nur Fitriyani Padjriah; Sopian Hadi dkk.

Mudra: Jurnal Seni Budaya, Vol. 41 No. 3 · 2026 · Indonesia · DOAJ

The development of Jelekong painting can be understood through the ways in which artists negotiate inherited traditions, market demands, and personal artistic expression. This study examines the paintings of Iman Budiman to investigate how these three orientations are manifested through changes in…

From Sahur Wake-Up Practice to Cultural Performance: The Transformation of Bagarakan Pengantin Sahur in Indragiri Hilir

Deni Afriadi; Iik Idayanti; Jefrizal dkk.

Mudra: Jurnal Seni Budaya, Vol. 41 No. 3 · 2026 · Indonesia · DOAJ

This study examines the transformation of Bagarakan Pengantin Sahur in Indragiri Hilir, Riau, from a practical Ramadan activity for waking residents for sahur into a distinctive cultural performance. Rather than treating transformation simply as the preservation of tradition through modernization…

The Socio-Cultural Basis of Sendang Lamongan Batik: An Integrated Cultural-Historical Analysis

Angga Fajar Ramadhan; Syakir Syakir; Djuli Djatiprambudi dkk.

Mudra: Jurnal Seni Budaya, Vol. 41 No. 3 · 2026 · Indonesia · DOAJ

This study investigates the socio-cultural foundations underlying the emergence and development of Sendang Lamongan Batik across centuries. Employing a qualitative method with an anthropological-historical approach, the study integrates Fernand Braudel's concept of long-term history (longue duree)…

The Survival of the Dukuh Indigenous Community Amidst the Modern Crisis: Paradoxical Aesthetics as a Form of Cultural Resilience

Iip Sarip Hidayana; Sophia Septiani; Rufus Goang Swaradesy

Mudra: Jurnal Seni Budaya, Vol. 41 No. 3 · 2026 · Indonesia · DOAJ

This research explores the cultural resilience of the Dukuh Indigenous Community in Garut during modern crises, focusing on the philosophical values of weweling (ancestral advice) written in Pegon script. The study investigates how paradoxical aesthetics serve as a moral compass to guide the…

Development of Metro Lampung's Typical Batik Motif: One Pattern Produces Two Motifs on the Front of the Sanggit

Mulyanto Mulyanto; Lili Hartono; Endang Sri Handayani

Mudra: Jurnal Seni Budaya, Vol. 41 No. 2 · 2026 · Indonesia · DOAJ

Lampung Province has several distinctive motifs that are icons of the Lampung region, such as the siger motif, pepper leaf, tree of life, and ship. Likewise, Metro Regency also has a distinctive regional motif, namely the leluwak motif. The purpose of this study is to develop typical Lampung and…

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Negotiating Heritage: The Institutionalisation and Adaptation of Penadhon in Ponorogo

Aling Madani; Johny Alfian Khusyairi; Samidi

Mudra: Jurnal Seni Budaya, Vol. 41 No. 2 · 2026 · Indonesia · DOAJ

This study examined the impact of traditional art and local community engagement on preserving and conserving Ponorogo's traditional outfit, Penadhon. This traditional outfit is unique as it is used and presence appears both art events, Reyog, and in the official life of the people of Ponorogo…

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Activist Cosmopolitanism in Taring Padi’s Art: Fostering Cosmopolitan Solidarity for Human Security in Indonesia

Alessandro Kurniawan Ulung; Dadang Ilham Kurniawan Mujiono

Mudra: Jurnal Seni Budaya, Vol. 41 No. 2 · 2026 · Indonesia · DOAJ

This paper seeks to examine the cosmopolitan solidarity fostered by the artist collective Taring Padi through their art. The group creates artworks that highlight human security issues across Indonesia, showcasing the works both domestically and internationally to raise awareness among global…

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Baluran Batik Motif as a Visual Image of Regional Identity: Exploration of Characteristic and Symbolic Meaning

Lely Surya Wardani; Abdulloh Eizzi Irsyada

Mudra: Jurnal Seni Budaya, Vol. 41 No. 2 · 2026 · Indonesia · DOAJ

Contemporary batik serves as a potent medium for constructing and affirming regional identity, often incorporating ecological motifs that transcend traditional boundaries. This study critically analyzes how contemporary Baluran batik motifs are constructed as a visual image of regional identity for…

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The Transformation of the Dideng Oral Tradition of Rantau Pandan into Jambi Malay Opera

Mahdi Bahar; Ikhsan Satria Irianto; Indra Gunawan dkk.

Mudra: Jurnal Seni Budaya, Vol. 41 No. 2 · 2026 · Indonesia · DOAJ

Dideng is a folk theatre tradition from Rantau Pandan Village that is currently facing the risk of decline due to limitations in its regeneration process. Despite this condition, Dideng oral narrative art contains rich theatrical, gestural, and musical potentials that can be further developed…

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Nyari Haleuangna Manjing Dongkarina: Dongkari and the Vocal–Instrumental Aesthetic System of Tembang Sunda Cianjuran

Mohamad Yusuf Wiradiredja; Arif Budiman

Mudra: Jurnal Seni Budaya, Vol. 41 No. 2 · 2026 · Indonesia · DOAJ

This study examines the aesthetics of Tembang Sunda Cianjuran as a relational vocal–instrumental performance system shaped through reciprocal interaction between panembang (vocalists) and pamirig (instrumental accompanists) within the principal Cianjur–Bandung lineage. Previous scholarship has…

Exploring Fear and Imagination: A Statement of Practice for “Parade Lorong Kosambi”

Rendy Pandita Bastari

Mudra: Jurnal Seni Budaya, Vol. 41 No. 1 · 2026 · Indonesia · DOAJ

This statement of practice addresses not merely as a representational theme in visual art, but as a methodological catalyst that shapes artistic perception, decision-making, and meaning-making. The practice-based research explores how fear acts as an experiential and affective condition within the…

Ancestral Legitimization and Syncretic Islam in the Wayang Klithik of Gotanjung’s Sedekah Bumi

Evi Selviawati; Syahrial Syahrial

Mudra: Jurnal Seni Budaya, Vol. 41 No. 1 · 2026 · Indonesia · DOAJ

Wayang klithik is a two-dimensional wooden puppetry tradition found in Central and East Java. In Gotanjung Village, Pati Regency, Central Java, wayang klithik is performed every year as part of sedekah bumi ceremony, a ritual to express gratitude for agricultural blessings. This study analyzes how…

Decentralization vs Cultural Centralization: The Paradox of Dangdut Koplo in Indonesian Popular Music

Citra Aryandari

Mudra: Jurnal Seni Budaya, Vol. 41 No. 1 · 2026 · Indonesia · DOAJ

This study analyzes the paradox of decentralization and cultural centralization in contemporary Indonesian popular music through the case of dangdut koplo. Although post-2014 regional autonomy and digital technologies have expanded access to music production across Indonesia, this research shows…