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ISSN 1214-7915 · Univerzita Karlova, Filozofická fakulta · 218 artikel di indeks
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Remapping Ukrainian Philosophy: Čyževs’kyj’s Approach to the History of Philosophy in Eastern Europe
Dmytro Čyževs’kyj’s contributions to Eastern European thought have profoundly influenced the study of intellectual history, particularly through his pioneering efforts to produce a comprehensive history of Ukrainian philosophy from the early Middle Ages to the twentieth century. This paper examines…
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From Kant to Dostoyevsky: Dmytro Čyževs’kyj’s Literary Anthropology
This paper reconstructs the core argument of Dmytro Čyževs’kyj’s unfinished project on formalism in ethics, developed in the late 1920s during his exile in Prague. Although the planned book never materialized, Čyževs’kyj published three articles and a broader set of related texts which, taken…
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Dmytro Tschižewskij in Prag. Ein Beitrag zur Biographie des Wissenschaftlers
This article draws upon unpublished correspondence between Dmytro Čyževs’kyj (1894–1977) and Ferdinande Homann (1900–1944). Like Čyževs’kyj, Homann was a student of Husserl; they met in Freiburg (Breisgau), and during Čyževs’kyj’s stay in Prague (1923–1932), their friendship developed into a love…
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Čyževs’kyjs Mácha-Lektüre im Kontext des Prager Linguistischen Zirkels
To mark the centenary of Karel Hynek Mácha’s death, the Prague Linguistic Circle compiled the volume Torso a tajemství Máchova díla (Torso and the Mystery of Mácha’s Work). This article provides a detailed analysis of Dmytro Čyževs’kyj’s contribution, ‘K Máchovu světovému názoru’ (‘On Má cha’s…
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Čyževs’kyj und das „barocke Lebensgefühl“ im Prag der 30er Jahre
This study approaches Dmitri Čyževs’kyj’s studies on Czech literature in the context of the reception and reflection of the Baroque in Czech culture in the 1930s. This rediscovery and rehabilitation of the Baroque, to which 19th-century historicism and Czech positivist historiography referred to…
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Dmitrij Tschižewskij’s Reading of Jan Amos Komenský’s Labyrint světa a ráj srdce
This paper deals with Dmitrij Tschižewskij’s interpretation of Jan Amos Komenský’s poetical work Labyrint světa a ráj srdce. In Dmitrij Tschižewskij’s articles dedicated to this masterpiece of Czech literature the analysis of its structure and the exploration of its moral-religious message are…
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Jak učit poezii — revize výukových metod. Úvaha, jak vrátit básním rytmus, žákům vztah k poezii a učitelům sebevědomí
In this study I reflect on how poetry can be used to develop skills and knowledge related to the teaching of language and literature (e.g. phonetic, etymological and syntactic analysis, creative writing, vocabulary expansion, reading competence) as well as skills that go beyond this, such as…
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Řeč zvířecího pohledu v povídce Kondor Adalberta Stiftera
Animals have a peculiar place in the works of Adalbert Stifter, a 19th century Czech and Austrian writer. He describes them in his prose, but also in an unpublished essay ‘Zur Psichologie der Thiere’, where he bases his concept of the animal on both likeness and difference. In Stifter’s short story…
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The Fragile Signs of Historical Matter: On the Poetics of Old-Czech Narrative ‘Entertainingly Edifying’ Prose
This study explores the poetics of Old Czech narrative prose, focusing on how medieval vernacular texts navigate the instability between sign and meaning. Drawing on works such as Alexander, Apollonius of Tyre, and Griselda, it argues that these prose narratives were composed in a way that exposes…
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O řeči těl a moci slov v bohemikálních Radostech Panny Marie
The cult of the Joys of the Virgin Mary was a popular form of late medieval devotion, as attested both by Latin and vernacular culture. In the Kingdom of Bohemia, three narrative poems were composed on the subject during the second half of the fourteenth century alongside prayers and meditations on…
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Básník a/nebo symbol? K proměnám obrazu Vladislava Vančury v jeho posmrtné recepci
This study aims to describe the transformations of Vladislav Vančura’s image in his posthumous reception, with regard to contemporary critical and literary-historical works on the writer. This has much to do with the ‘discourse of celebration of the “classics”’ (P. Bourdieu), in the context of…
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Protektorátní. Kalendář paní a dívek českých jako pokus zachovat prostor pro „veřejnou“ ženu
This study focuses on the activities of the Women’s Centre at the Czech National Council during the years 1938–1945. Using the example of its activities, and in particular the publication Calendar of Czech Ladies and Girls, it shows how the strategy of women’s public action gradually changed in a…
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The Proustian Inflection of Time and Inflection of Historical Time
This article proposes a comparative analysis between the hypothesis of an inflection of historical time contemporary to the First World War (1914–1918) and the inflection of time in the cleavage of lost time and regained time in Proust’s work. It thus aims to contribute to a line of thought on the…
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Identity Games and Polemics Between the Arts: Marcel Proust and Claude Jutra
Take It All (1964) is a remarkable autofiction film in which the Quebec filmmaker Claude Jutra (1930–1986) responds to Proustian theories about the superiority of literature (a ‘pure art’) over cinema and other arts based on ‘direct imitation of reality’. The article first summarizes Proust’s…
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Thanatografické psaní. Vyprávění o lásce, smrti a smutku
This study develops the concept of ‘thanatography’ as an umbrella term for the marginalized corpus of autobiographical prose texts dealing with the death and mourning of a loved one. It is based on the widespread thesis that 20th-century Euro-American society banished death from both public and…
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K původu civilismu. Několik exegezí nejen neumannovských
This study examines a cluster of concepts that emerged in the critical writings of authors associated with the pre-war modernism of the 1910s (with a special focus on S. K. Neumann): the ‘civilizing’ of art, ‘civil art’, etc. demonstrates that such concepts were not primarily derived from a…
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The Upside-Down Mirror, or Reality Caught in the Act
The present contribution, as part of this line of Proustian research that focuses on the specularity and auto-specularity of À la recherche du temps perdu, examines self-reflexive comparisons at a micro- or even nano-level. It emphasizes the examples that bring together an artistic and non-artistic…
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Hraniční básník Jan Zábrana. Překlad jako prostor autorské seberealizace
The aim of this study is to analyze the poetics of writer and translator Jan Zábrana. Zábrana’s life and literary career were profoundly shaped by the Czechoslovakian communist regime, which prevented him from attending university and publishing his own works. Consequently, he immersed himself in…
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Traces of Proust in Michel Tremblay
At first glance, Marcel Proust’s aristocratic spirit and ambiance are entirely dissimilar to the plebeian milieu of the Quebec playwright and prose writer Michel Tremblay, whose poetics involve raising the joual slang of the Montreal suburbs to the tones of ancient Greek tragedy, medieval religious…
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Time As a Constellation
The paper attempts to take seriously one of the main claims of the final part of Proust’s In Search of Lost Time, where the hero-narrator announces his intention to give his work a form that usually remains invisible, namely the form of time. Our question will therefore be what structure this form…