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Cinéma & Cie
Scopus
ISSN 2035-5270 · Milano University Press · 782 artikel di indeks
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Artikel Jurnal
Analyzing the Mitchells vs. the Machines (Rianda 2021) Through Cinema and Media Theories: Toward a Media-Oriented Techno Literacy Framework
In this study, I propose that Mike Rianda’s The Mitchells vs. The Machines can serve as a model of a learning object that fosters a specific form of technological literacy. Within the current international educational landscape, institutional guidelines recognize the critical role of media in…
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Artikel Jurnal
Affective Landscapes of Deterritorialization in Contemporary Cinema
This article explores how filmmaker Alice Diop articulates her diasporic condition through the affective landscapes in her films. Our analysis focuses on her short film Vers la tendresse (2016), examining the cinematic and narrative strategies she employs to foreground the voices of the Other and…
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Artikel Jurnal
“Can We Allow Ourselves to Make Films?”: Rethinking Production Norms through the Lens of Migration
This article examines the challenges filmmakers face when producing first-person films about migration within the European film industry, which includes films in which the director is simultaneously a subject in and of the film. Although such films have proliferated in recent years, little is known…
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Artikel Jurnal
Cinema, Politics and Resistance in Cameroon
Both the colonial and post-independence eras in Cameroon have been characterized by repressive public policies regarding freedom of speech and expression, with strict surveillance on cinematographic expression. In 1934, for example, the French government passed the Laval Decree to prevent cinema…
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Artikel Jurnal
Cinema in Uruguay (1960-1974): Resistance, Guerrilla and Third World
The article reviews the dialogue between documentary and animated cinema produced in Uruguay during the 1960s and 1970s and different forms of political resistance. The Uruguayan historical-political situation is contextualized and three films are analysed as examples, in order to show the…
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Artikel Jurnal
Divine Intervention: A Decolonial Psychoanalytic Reading
This paper offers a decolonial psychoanalytic reading of Elia Suleiman's 2002 film, Divine Intervention. It begins by critiquing the Eurocentric gatekeeping within film studies that often marginalizes Palestinian cinema, arguing that publishing on Divine Intervention is a political act against the…
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Artikel Jurnal
Acousmatic Voices and Visual Glitches: Colonial Hauntings in the Experimental Cinema of Bacigalupo and Orsini
This article examines the spectral afterlives of Italian colonialism and the elusive forms through which they resurface in postwar experimental cinema. Complicating the very concept of the postcolonial, I propose a counter-archive of 1960s Italian films that resist conventional modes of…
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Artikel Jurnal
Deconstructing Paperlessness: Documentary, Mise-en-scene and Participation in Feminist and Decolonial Film Practices; the Case Study of LALA
This paper critically examines LALA, a hybrid documentary-fiction film rooted in feminist, decolonial, and participatory filmmaking practices. Using an autoethnographic lens, the project reflects on the ethical and creative challenges of representing “paperlessness” —a condition of legal and…
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Artikel Jurnal
Reimagining Access: Editorial Introduction
This editorial introduction was conceived and discussed jointly: Pooja Rangan wrote the section “Attacking Access,” Domenico Napolitano wrote “From Mainstream Accessibility to Reimagining Access,” and Annalisa Pellino, who also served as managing editor for the entire volume, wrote “Misfit Film and…