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Journal of Art Historiography
ISSN 2042-4752 · Department of Art History, University of Birmingham · 857 artikel di indeks
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Discovering Mughal painting in Vienna by Josef Strzygowski and his circle: the historiography of the Millionenzimmer
The paper discusses the ‘discovery’ of Mughal painting at Vienna and the pioneering research dedicated to it from the 1920s onwards by Josef Strzygowski and his circle. The focus is on the so-called Millionenzimmer at Schönbrunn Palace which was decorated in the 1760s under Maria Theresa with…
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Aʽẓam Naẓarkarde, ‘Painter and artist of the Âstân-e Qods during the Afsharid period'
Although the translations of important scholarship on art history across the different European languages are increasingly common, the same cannot be said about the invaluable articles and books published in non-European languages. In the case of Persian art, the results of research conducted by…
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Rethinking the so-called Polish carpets
The so-called Polish carpets were once believed to be woven on Polish looms, even though—as we now understand—they were (most likely) manufactured in the Persian cities of Kashan and Isfahan. Yet, the misattribution of these objects’ origins is still evident in the phrase by which they are referred…
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The origins of Hans Sedlmayr’s methodology and its relation to his politics: a disregarded approach
The paper states that a main source of Sedlmayr’s methodological as well as political thinking has largely been overlooked. It argues that Viennese philosopher and sociologist Othmar Spann, along with his own main source, romanticist theologian Franz von Baader as well as Spann’s pupil, the…
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The reception of Max Dvořák’s thought in Italy: resistances and unlucky attempts between the 1920s and the 1940s
The essay proposes a synthesis of the reception by Italian scholars of Max Dvořák’s art history theories between the 1920s and the 1940s. The resistance to his thought for both linguistic and ideological reasons will be underlined mostly based on the reviews and essays influenced by Adolfo Venturi…
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Helena Blum (1904-1984) — a Polish art historian in the gender gap
Helena Blum (1904–84) was one of the most influential Polish art historians, working both as a curator at the National Museum in Cracow and as a researcher at the Institute of Art History at the University of Wrocław. In 1922, she began studying art history and archeology at the University in Lviv…
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Towards a modern museum. Women in the German museum association
The German Museums Association (Deutscher Museumsbund, DMB), founded in 1917, was made up of a few directors. Between 1927 and 1934, the men’s circle opened up to 14 woman employees, who represented the hierarchy of museum staff across the board, from unskilled workers to collection managers to…
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Anna Spitzmüller (1903–2001), the first female custodian at the Albertina Museum in Vienna
The following paper by Ursula Drahoss was first presented at the conference “Great Female Art Historians” organized by Heidrun Rosenberg at the Austrian Association of Art Historians (VöKK) from November 4th to 7th 2021. The art historian Anna Spitzmüller (1903–2001) is considered Austria’s very…
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Ananda K. Coomaraswamy, Benoy Kumar Sarkar, and the Śukranīti’
The English-raised Ananda K. Coomaraswamy, the twentieth century’s leading historian of Indian art, is well known for prizing tradition and anonymity and for upholding the position that visualization exercises were an essential part of the creative process. The first part of this article addresses…
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Unreconcilable contradictions: the poetry of Aditya Prakash
Is it possible that Anglophone Euro-American scholarship surrounding the Indian city, Chandigarh, focuses too heavily on certain figures associated with its design -such as Swiss-French architect and paragon of architectural modernism- Le Corbusier? With this question in mind, the following article…
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“Karagöz is ours”: İsmayıl Hakkı Baltacıoğlu’s cultural revivalism and the Long Turkish Modernity
In 1939, the Turkish scholar and art critic İsmayıl Hakkı Baltacıoğlu (1886-1978) spearheaded a campaign of recovery of shadow theatre plays. Known informally as Karagöz plays, these candlelit performances of flat figurines mounted on sticks had been a widespread cultural phenomenon during the…
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Shining a spotlight on Armenians: exchanges on the Silk Road
This beautifully and effectively illustrated book explains the various contacts, and their contexts, between Armenians and persons from western Europe, especially Italy, in the period of the Crusades and Renaissance, in Italy and Armenia, and especially in Armenian Cilicia. These included an…
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Authority and Authenticity in Art Writing
The review discusses the edited volume Pro Domo. Kunstgeschichte in eigener Sache. The volume aims to analyse systematically an understudied sub-genre of art writing: texts that were written by confidantes of the artists, thus suggesting a specific authority and authenticity as they claim to have…
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Art history and its institutions in the Austro-Hungarian Empire’ 28th-30th September 2023
The conference Art History and Its Institutions in the Austro-Hungarian Empire marked the 150th anniversary of the establishment in 1873 of the Commission of Art History of the Academy of Science and Arts in Cracow andwas held at the Wawel Royal Castle between 28th and 30th September 2023. The…
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The ‘purification of the personality of Sanmicheli
The respected art historian Antonio Morassi, as a student under Max Dvořák in Vienna in 1912–16, wrote a thesis on the Renaissance architect Michele Sanmicheli (1487–1559), who was active in Verona and Venice. This, later, formed the basis of an article that was intended for publication but never…
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Dialogic art history
This review discussed four volumes under the Oxford University Press’s series ‘Visual Conversations in Art and Archaeology’: Vessels: The Object as Container, Conditions of Visibility, Figurines: Figuration and the Sense of Scale, and Landscape and Space: Comparative Perspectives from Chinese…
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Reframing the history of proletarian art: Sino-Japanese relations in modern woodcut print culture
The emergence of modern Chinese woodcut aesthetics, motifs and techniques during the early twentieth century has long been understood in relation to cultural exchanges between East and West. Art historical narratives have highlighted the influence of European art on East Asian woodcut printing…
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Eric Schroeder: maverick polymath
The article surveys the life and output of Eric Schroeder (1904-71), who served from 1938 as (mainly honorary) Keeper of Persian Art at the Fogg Museum of Art, Harvard University, mounting choice exhibitions and greatly expanding the collection of paintings. After assessing his two major books –…
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Through the lens of Henry Viollet: an undisclosed photographic and paper archive on Islamic monuments (1904-1913)
A pioneer in the study of Islamic architecture, Henry Viollet (1880-1955) travelled from Egypt to Central Asia between 1904 and 1913. From his missions, the French architect and archaeologist brought back more than 4,500 written and photographic documents, today kept at the Bibliothèque…
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Notes on the formation of Persian art collections at the Museo Nazionale d’Arte Orientale ‘Giuseppe Tucci’, its research and expositions activities in Rome and its missions in Iran
This article presents a brief history of the Museum of Oriental Art in Rome. Its main focus is its collection of Persian Art: not only because of the objects it contains, but also because of the further activity it has encouraged in the form of exhibitions in Italy and abroad and collaboration with…