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Arts
ISSN 2076-0752 · MDPI AG · 1.517 artikel di indeks
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It’s a Toyland!: Examining the Science Experience in Interactive Science Galleries
Interactive science galleries have transformed how the public engages with science, shifting from object-centred displays to immersive, design-led experiences. This study situates these changes within broader cultural and economic contexts, exploring how design mediates our understanding of science…
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Right Here and Right Now: A Study on the Creative Practice of Site-Specific Improvisatory Dance Performance in Lhasa
This study focuses on the site-specific improvisatory dance performance Deconstruction and Reconstruction of the Path of Life, a self-directed and self-performed work in Lhasa’ s sacred space dominated by a huge Buddha statue. It aims to explore how site-specific context and altitude sickness shape…
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Lola Montès: Max Ophüls’s Final Dive into Circularity and Repetition
This article aims to reflect on the testamentary dimension of Max Ophüls’ last feature film, Lola Montès, from a research context that seeks to understand the thematic, narrative, and stylistic traits of film directors’ last films. Through a mobilisation of Gilles Deleuze’s concept of crystal…
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Conceptualising Sound, Inferring Structure, Making Meaning: Artistic Considerations in Ravel’s ‘La vallée des cloches’
Processes of preparing repertoire for performance in the field of artistic pianism are far from linear, often involving many epistemic modes contributing to an ever-evolving relationship between the pianist, the score and their instrument. Beyond the absorption and internalisation of the score…
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Super-Conscious Dreams: Martin Arnold’s In Tinseltown (2021) and Full Rehearsal (2017)
In Tinseltown and Full Rehearsal are examples of digital found-footage practice that explore the creative potential of the glitch. Featuring Monroe and Mickey, the two films conjure up what Walter Benjamin called figures of a “collective dream”. In his recent work, the artist blasts these two…
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Clouds Are Soul: Goethe Versus P. H. Valenciennes on Caspar David Friedrich’s Sublime Representation of Sky
The representation of atmospheric phenomena and, in particular, clouds was a prominent theme for painters during the transition from the eighteenth to the nineteenth centuries. During this period, under the influence of rationalism and encyclopedism, Luke Howard’s cloud classification (1803) was…
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New Architectural Forms in the Landscape as a Response to the Demand for Beauty in 21st-Century Tourism and Leisure
The architecture of spas and recreational complexes is increasingly being analyzed not only through the prism of its formal diversity but also through its functional, technical, and esthetic responses to evolving societal expectations. This article descriptively examines the context of evolving…
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Curatorial Strategies to Resist Gender Asymmetries in Portugal: Two Women-Only Landmark Exhibitions
This article adopts a comparative approach to two women-only landmark exhibitions in Portugal—Portuguese Women Artists (1977) and All I Want. Portuguese Women Artists from 1900 to 2020 (2021–2022)—to explore how curatorial strategies can function as tools of resistance to gender asymmetries in the…
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Raphael’s Sistine Madonna as a System of Visual Engineering
This study proposes a structural method for analyzing Raphael Sanzio’s Sistine Madonna through the constructive modeling of visual impact. Such an approach makes it possible to connect the internal logic of the painting’s conception with the historical circumstances of its creation as a papal…
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Presencing Echoes in the Archive: Material Voices Through Space and Time
This article presences the material entanglements of analog and digital archives through a workshop-based inquiry titled “Collaging Echoes and Resonances Across Space/Time”, which applied Annie Goh’s question of whether echoes can claim a voice of their own to objects. In this session, participants…
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Phytomorphic Elements of Embroidery from Cuetzalan, Puebla: Iconological Analysis
This article analyzes the symbolism of the phytomorphic motif of the mountain vine in the traditional embroidery of Cuetzalan, made by the Nahua women of the Masehual Siuamej Mosenyolchicauani collective. From the iconological approach, the pre-iconographic, iconographic and iconological levels of…
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Perceiving Through the Painted Surface: Viewer-Dependent Depth Illusion in a Renaissance Work
This study explores how classical painting techniques, particularly those rooted in the Renaissance tradition, can produce illusions of depth that vary with the viewer’s position. Focusing on a work rich in soft shading and subtle tonal transitions, we investigate how movement across the frontal…
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The Digital Unconscious and Post-Disaster Recovery in the Cinema of Haruka Komori
How does digital technology mediate decision-making and shape our understanding of disaster recovery? I address this question by examining both the administrative and cinematic uses of digital images in the reconstruction process following the 2011 Great East Japan Earthquake. Post-disaster digital…
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‘ART’: What Pollock Learned from Hayter
Experimental prints made by Jackson Pollock in Stanley William Hayter’s Atelier 17 in 1944–45 were crucial to the evolution of his modernist style, an evolution quite different from Clement Greenberg’s conception of it. Hayter said “Pollock always claimed that he had two masters, Benton and me.”…
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Digital Kunstkamera: 18th Century: A Virtual Documentary and Artistic Reconstruction Experience
The virtualization of museums is in a phase of active development, with institutions seeking relevant and original forms. At the same time, the number of projects dedicated to the reconstruction of past museum expositions is not as substantial as one might hope. How can we accurately reconstruct a…
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Pressing Inwards and Outwards: The Multilayered “Unconsciouses” of Karrabing Digital Media Practices
This article explores the media practices of the Karrabing Film Collective through the lens of a materialist model of (colonial, ecological, and digital) unconscious, reconceived as a dynamic interplay of repression, expression, compression, and distension. Drawing on Jean-François Lyotard’s…
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Aesthetics and Usability in Digital Art Repositories: Using the iMedius Platform to Collect User Feedback Through Attention Tracking
Digital art repositories strive to disseminate works of art through the World Wide Web and to reach the widest possible global audience. To that end, providing an optimal user experience (UX) is essential. Usability is the cornerstone of UX in all interactions between the visitor and the platform…
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Holy AI? Unveiling Magical Images via Photogrammetry
Recent text-to-image AI systems have revived the long-standing fantasy of the image that appears to generate itself. Building on Chesher and Albarrán-Torres’s concept of ‘autolography’, this article situates contemporary AI-generated imagery within a longer lineage of self-generating images that…
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Rock Varnish Dating, Surface Features and Archaeological Controversies in the North American Desert West
Archaeological surface features on desert pavements, including geoglyphs, are notoriously difficult to assess. Lacking temporally diagnostic artifacts, they may be impossible to place chronologically, limiting their inferential utility. Not surprisingly, controversies have developed in the North…
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Ataurique Decoration in Elite Palaces/munà: A Case Study in the Western Suburbs of Madīnat Qurṭuba
The demographic growth resulting from the proclamation of the Caliphate of Córdoba led to the urban densification of the city’s western suburbs. In these areas, pre-existing munya complexes became integrated into the urban fabric, which complicates their identification. The discovery of Building 1…
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