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Lebenswelt: Aesthetics and Philosophy of Experience, Iss 20 (2023)
Scopus
ISSN 2240-9599 · Milano University Press · 211 artikel di indeks
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Estetica e significazione. Sul rapporto fra linguaggio ed esperienza sensibile
Is language an evolutionarily independent faculty from other cognitive capacities? In recent years two opposing views have clashed: the innatist view, of which linguist and philosopher Noam Chomsky is the main exponent, which answers in the affirmative; the constructivist-empiricist one according…
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Memoria e preformazione: analogia tra processo cognitivo e metamorfosi del vivente nel pensiero di Leibniz
It is well known how Leibniz turned his attention to a large number of domains in an attempt to demonstrate the universal interconnectedness of things. This essay aims to show the relationship between two areas of knowledge studied by Leibniz: gnoseology and biology. In particular, there is a close…
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La coscienza è tempo. "Esperienza e giudizio": eredità e sfida dell'ultimo Husserl
Time and time consciousness have always been for Edmund Husserl a kind of torment, a stimulus, an enigma, an 'ultimate and true absolute', as he wrote in the Ideen. This paper aims to show that Husserl addressed this topic, after the Vorlesungen, especially in his last published book Erfahrung und…
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Atmospheric habitualities: aesthesiology of the silent body
The paper examines the notion of habits from the perspective of a pathic aesthetics based on the neo-phenomenological theory of Leib (felt body) and its ubiquitous communication. By questioning whether experience should be considered as a confirmation or a failure of expectation, it shows the…
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Istinti di socievolezza. Estetica e psicologia morale degli affetti altruistici in Leibniz
The article focuses on Leibniz’s theory of dual access to the innate practical truths developed in the New Essays, on the background of the reconciliation between egoism and altruism he pursues – since his early writings on natural law – through the categories of disinterested love and charity, and…
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Emozioni estetiche: una critica delle quasi-emozioni di K. Walton
Kendall Walton’s Mimesis as make believe (1990) is a pivotal text in understanding the receiver’s role during aesthetic experience. Within his theory, aesthetic emotions have a specific importance, and they are considered as quasi-emotions. In this essay, Walton’s account, will be criticised, as it…
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Madness and Modernity: The Drawings of Antonin Artaud from 1944 to 1946
Antonin Artaud, words, drawings, and the extreme and traumatic condition of an individual who pushed back the boundaries of history, of his own time, in Europe’s darkest days. Such is my scope in the pages that follow. This essay examines the drawings produced by Artaud between 1944 and 1946. They…
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Music from beyond (or how to deal with a musical forgery)
Rosemary Brown (1916-2001), a housewife from South-London, was one of the most famous mediums of her time. Throughout her lifetime, famous composers such as Liszt, Beethoven, Schubert, Debussy and Chopin sought her from the realm of the dead to dictate their posthumous compositions. Brown’s…
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The lure of nothingness. Art and crisis of "presence" in Ernesto De Martino
In this paper an aesthetics is proposed based on the De Martino concept of “crisis of presence”. If one takes such a terrifying notion seriously a very different idea of art can be experienced, an art suited in the apocalyptic time of the “end of the world”. An art that can only begin when the fear…
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Il lato oscuro della ragione: sogno e follia in Kant, Hegel e Goya
Interest in dream and madness, conceived as the loss of a world shared with others, and the individual’s entry into a private world governed by a personal logic unrelated to the waking state and to common feeling, recurs in at least three of Kant’s works: Essay on the Diseases of the Head, (1764)…
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«Au Paradis Des Archétypes»: Follia e mondo primitivo nell’Art Psychopathologique di Robert Volmat
This paper is a research around an aspect of contemporary history of culture, regarding modern fascination for the primitive word and the search for the primitive through study of the artistic productions of the mentally ill. In my work this problem is analyzed by the point of view of the book of…
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The circular insanity of philosophy: an aesthetic vision
A long tradition, whose echo is still perceptible in some contemporary reflections, combines philosophy and melancholy, often indentifying melancholy as the beginning of philosophy. But rereading the Freud’s Mourning and Melancholia, the «circular insanity» shows two sides, depressive and maniac…
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L’art entre hubris et mania. Du pathologique au sublime
From Empédocle to Paul Celan, there have always been poets, artists whose works lead to the surpassing of the limits of meaning. They rub shoulders with absolute reality and get lost in it. On the other hand, there are those so-called "mad" mental patients who, in their insanity and delirium…
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Panofsky e Florenskij: un incontro mancato. Fenomenologia del simbolico nella rappresentazione prospettica
This paper focuses on the theme of perspective representation starting from Panofsky and Florenskij’s works. Aim of this study is to approach this topic not only from an historical, scientific or artistic development, but also including these profiles into a wider framework offered by the…
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Teoria dell'errore in Kant, tra Sogni di un visionario e Critica della ragion pura
I Sogni di un visionario chiariti con sogni della metafisica del 1766 sono sempre stati visti come un'opera unica all'interno dell'intera produzione filosofica di Kant. Se tradizionalmente si è visto in questo scritto il momento di massima vicinanza a Hume e quindi di massimo scetticismo…
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Le forme della solitudine: isolamento, co-isolamento, noia e sonno
Man avoids solitude through divertissement because he is afraid of what staying alone entails: thinking about himself (Pascal). Furthermore, man seeks isolation in order to gain ambition and reputation (Montaigne). However, solitude is really different from isolation and it is a fundamental…