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Studia Metrica et Poetica
Scopus
ISSN 2346-6901 · University of Tartu Press · 166 artikel di indeks
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Artikel Jurnal
New Applications of Jakobson’s “Broad Metrics”: Sung Poetry and Dual-Metered Verse
meter and rhythmThis article extends Roman Jakobson’s framework of “broad metrics” to sung poetry. Building on his dichotomies of verse design/instance (poetic meter and rhythm) and delivery design/instance (recitation rules and performance), it proposes an additional dyad: musical design/instance…
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Artikel Jurnal
The Roots of Shakespeare’s “Rhythmical Italics” and of Formulas in Literary Verse
The article deals with the origin of “rhythmical figures” serving as “rhythmical italics” to enhance meaning in English poetry from Chaucer to Frost (14th–20th centuries). In Surrey’s translation of The Aeneid (the first decades of the 16th century) the rhythmical figures already resemble their use…
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Artikel Jurnal
Russian Silver-Age Galliambic Verse:Form and Meaning
The article surveys the four known Russian examples of Galliambic verse – a syllabo-tonic counterpart of the Latin metre associated with the cult of Cybele, as in Catullus’ Attis: works by Vyacheslav Ivanov, Maximilian Voloshin, Nikolai Gumilev, and Georgij Adamovich – analyzing how metre, rhythm…
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Antonina Martynenko’s dissertation: “Traditions and Innovations in Russian Poetry of the Second Half of the 1830s: A Quantitative Study”. Readers reports
Antonina Martynenko’s dissertation: “Traditions and Innovations in Russian Poetry of the Second Half of the 1830s: A Quantitative Study”. Readers reports
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Artikel Jurnal
Frontiers in Comparative Metrics V. In memory of Reuven Tsur and Barry Scherr. Call for Papers
Frontiers in Comparative Metrics V. In memory of Reuven Tsur and Barry Scherr. Call for Papers
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Artikel Jurnal
The Russian Sonnet
This article describes the Russian sonnet as a verse structure. Highlighting the many deviations and innovations poets introduced – from adapting Petrarchan and Shakespearean models to radical experiments – the study shows how the sonnet’s diversity has made it one of the most resilient forms in…
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Artikel Jurnal
Named Entity Recognition and Linking in PoeTree Corpora
Named entity recognition (NER) and named entity linking (NEL) remain underexplored in poetic texts. This study provides the first large-scale evaluation of contemporary NER and NEL systems on poetry across seven European languages – Czech, German, English, French, Italian, Russian, and Slovenian –…
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Artikel Jurnal
The Depth beyond the Lines: Key Linguistic Features of Three Polish Poems
In the current study, I introduce a combination of a qualitative-quantitative approach to discover the content of three Polish poems. The lexical content was annotated on lexical, textual, affective, and stylistic dimensions and then analysed using correlation and exploratory factor analyses. The…
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Russian and Ukrainian “Voices” in David Guramishvili’s Prosody
The article examines the prosody of the eminent Georgian eighteenth-century poet David Guramishvili, whose work introduced an unprecedented diversity of meters into Georgian poetry. This diversity is partly explained by his use of what he called the “voices” (khmebi) of Russian and Ukrainian songs…
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Artikel Jurnal
Juri Lotman’s Analysis of the Poetic Text: Its Censorship History and an Unpublished Chapter on Marina Tsvetaeva
Based on archival materials and Juri Lotman’s correspondence with publishers and colleagues, this article reconstructs the editorial history of his Analysis of the Poetic Text (1972) and examines how ideological constraints influenced the book’s final form. The selection of poems for analysis…
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Artikel Jurnal
Marina Tarlinskaja at 90: A selected bibliography
Marina Tarlinskaja at 90: A selected bibliography
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Artikel Jurnal
Марина Цветаева. «Ты, меня любивший фальшью...»
Марина Цветаева. «Ты, меня любивший фальшью...» © 2026 Tallinn University. Copyright for the original text by Juri Lotman. An unreleased chapter from Juri Lotman’s Analysis of the Poetic Text. Written in 1967. Published here for the first time from the original typescript: Tartu Ülikooli…
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Artikel Jurnal
Marina Tsvetaeva’s “You, who loved me with the falseness...”
Marina Tsvetaeva’s “You, who loved me with the falseness...” © 2026 Tallinn University. Copyright for the original text by Juri Lotman. A translation of an unreleased chapter from Juri Lotman’s Analysis of the Poetic Text. Translators: Igor Pilshchikov, Mikhail Trunin. The work was supported by…
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Artikel Jurnal
Plotting Poetry 8: Skeletons in the Closet Conference Report
Plotting Poetry 8: Skeletons in the Closet Conference Report
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Artikel Jurnal
Poetic License, Textual Fidelity and the Liturgical Impulse in Aleksandr Sumarokov’s Early Spiritual Verse
The present essay considers the paraphrases of Psalms and other biblical and liturgical texts that Sumarokov composed between 1744 and 1769. He initially treated his paraphrases primarily as literary exercises: while taking care not to distort the Church Slavic and ipso facto Greek (Septuagint)…
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On Some Aspects of the Poetic of ri in Dante’s Divine Comedy: Possibilities of Semantic Clustering
The purpose of this article is to examine aspects of the poetic of the syllable ri in Dante’s Divine Comedy. The textual unit ri, prevalent as a pure syllable, but in some cases modified by a preceding consonant or consonants or by a following vowel or consonant, appears approximately 2000 times in…
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Artikel Jurnal
A Temporal and Dynamic Approach to Enjambments in French Versified Poetry from the 17th to the late 19th Century
This study is about enjambments, rejets and contre-rejets in French metrical poetry. No study explains why these constructions are seen as characteristic of poetry. Moreover, the common approach in terms of (mis)alignment between metrical and prosodic or syntactic structure leaves a number of…
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Artikel Jurnal
German and Spanish rhythmic accents in Russian three-ictus dolnik
This article presents a comparative rhythmic analysis of two types of Russian three-ictus dolnik: a heterosyllabic variant used as an equivalent of the German three-stress meter and an isosyllabic variant (7M/8F/9D) used as an equivalent of the Spanish octosyllabic meter. The corpus under…
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Artikel Jurnal
Plotting Poetry 7: Metres of Humour. Conference report
Plotting Poetry 7: Metres of Humour. Conference report
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Artikel Jurnal
Ancient Greco-Roman meters and stanzas in Russian poetry: origin and development
The basis of the metrical repertoire of Russian poetry is made up of meters of ancient Greco-Roman origin, which came through the intermediary of German poetry. The basic stanzaic models also originated from there. Meters and stanzas transplanted directly from the ancient tradition are…