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ISSN 2676-7244 · Faculty of Art, Shahed University · 507 artikel di indeks
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Artikel Jurnal
A Study of the Wall Painting in Mawaddat House, Yazd, Through Gérard Genette’s Theories of Intertextuality and Hypertextuality
Introduction: The depiction of the Prophet Muhammad’s Miʿrāj (ascension to the heavens) has consistently inspired artists throughout the history of Islamic art and has been visualized in diverse media, ranging from illustrated manuscripts and architectural decoration to lithographic prints and…
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Artikel Jurnal
Semantic Analysis of Iranian Muqarnas Based on the Principles of Suhrawardi’s Hikmat al-Ishraq (The Philosophy of Illumination)
Introduction: Decorations in Islamic architecture are rich in meanings and symbols. Muslim artists have sought to express the intellectual and spiritual concerns of their time, as well as the wishes of rulers and jurists, through architectural decoration. In doing so, they have drawn on mystical…
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Artikel Jurnal
An Iconographic Study of the Northern Mural Painting at the Entrance of Qaisarieh Bazaar in Isfahan
Introduction: Mural painting, like other artistic disciplines, reached significant development during the Safavid period. One of the major concerns of Shah Abbas I was the expansion and beautification of urban spaces through architectural projects, decorative elements, and visual representations…
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Artikel Jurnal
A Semiotic Analysis of Abbas Kiarostami’s International Film Posters in the 1990s with an Emphasis on Peirce’s Semiotic Approach
Introduction: The design of Iranian movie posters underwent significant transformations in the early 1990s, shifting away from the theme-based and director-centered approaches dominant in the 1980s. This shift marked a move toward a more conceptual and visually engaging approach to cinematic poster…
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Artikel Jurnal
Identifying Postmodern Characteristics in Contemporary Iranian Calligraphy-Painting Works
Introduction: Postmodernism, as a major intellectual and artistic current since the latter half of the twentieth century, has brought significant changes to different fields of knowledge and art. By questioning fixed concepts and established boundaries, it has encouraged pluralistic and eclectic…
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Artikel Jurnal
The Manichaean Bēma Ceremony and the Identification of its Five Key Elements in the Fragment MIK III 4979 (Verso)
Introduction: Manichaeism, as a religious system, encompasses various traditions and rituals, among which the Bēma ceremony is one of the most significant. Elements of this ceremony, including customs, food, and ritual objects, are mentioned in several sources. The annual Bēma ceremony expresses…
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Artikel Jurnal
Analyzing the Hypertextual Relationships Between the Safavid Kilim in the Louvre Museum and Persian Paintings from the 8th–10th Centuries AH
Introduction: The production of artworks across different historical periods often involves the adaptation and transformation of enduring cultural and artistic features. Examining similarities and differences among artworks as visual texts can reveal the relationship between source works and later…
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Artikel Jurnal
Analyzing the Role of Iranian Myths in Qajar Painting through the Lens of Cultural Policy
Introduction: Myths represent the collective identity of nations and function as cultural narratives through which societies define and preserve their historical consciousness. Identity is a continuous process formed through the transmission, reconstruction, and reinterpretation of symbols and…
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Artikel Jurnal
Recognition and Reading of Eight Qajar-Era Paintings on the Theme of ‘Yusuf and Zulaikha’ at Bonhams, UK
Introduction: Paintings inspired by literature, beyond their historical significance, constitute one of the important manifestations of the relationship between visual art and literature in the history of Iranian painting. The present research examines eight rare and relatively complete paintings…
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Artikel Jurnal
Semiotics of Women's Clothing in the Quranic and Religious Works of Mahmoud Farshchian
Introduction: Art in every era appears as a reflection of the thoughts, beliefs, and culture of a nation or ethnic group. Examining artworks from various historical periods provides important information about cultural achievements and the trends of development or decline in those eras…
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Artikel Jurnal
Analysis and Investigation of Theme-Based Composition Types in the Miniatures of the Khavaran-nameh
Introduction: The Khavaran-nameh, a poetic work by Ibn Hussam Khosfi Birjandi, is among the significant illustrated manuscripts of the Turkmen period in Iran. Its 115 illustrations preserved at Golestan Palace provide valuable material for examining the relationship between literary narrative and…
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Artikel Jurnal
A Comparative Analysis of the Visual Elements, Symbolism, and School Influences in the Illustrations of Solomon and Bilqis in the Safavid Shiraz School (The David Collection and the Freer Gallery)
Introduction: The Safavid period marks a peak in Iranian visual arts, especially miniature painting, supported by political stability and royal patronage that produced numerous illustrated Shāhnāmeh manuscripts. Frontispiece illustrations, often double-page compositions with refined illumination…
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Artikel Jurnal
Visual and Semiotic Analysis of Non-Narrative Motifs in the Wall Murals of Qajar Houses in Amol
Introduction: The wall murals of Qajar-era houses in Amol reflect the complex artistic and cultural interactions of the period and represent a distinctive combination of floral, animal, and geometric elements that together form a coherent visual system within architectural decoration. Owing to…
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Artikel Jurnal
A Comparative Study of the Illustrations of Alexander's Wall Against Gog and Magog in the Manuscript Daqāʼiq al-Ḥaqāʼiq by Nasir al-Din Muhammad Haikali (d. 671/1272) and the Catalan Atlas (776/1375)
Introduction: The narrative of Alexander’s Wall against Gog and Magog occupies an important place in both Islamic and Christian traditions. In Islamic sources, Alexander is often identified with Dhul-Qarnayn, a Qurʾanic figure associated with divine guidance and moral responsibility. The manuscript…
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Artikel Jurnal
Representation of the Human Face and Body in Hayek Ojaghian's Movie Posters in Iran )1950s and 1960s): An Analysis Based on Gillian Dyer's Method
Introduction: The history of movie posters in Iran predates the development of Iranian cinema itself. With the introduction of modern theater during the Naseri period, theatrical advertising gradually emerged and continued to develop until the end of the Qajar era. In the early fourteenth century…
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Artikel Jurnal
Typology of Motifs in Horse Blankets Depicted in the Paintings of the Shahnameh of Shah Tahmasp
Introduction: Throughout history, horses have symbolized qualities such as courage, nobility, endurance, and freedom in many cultures. Initially, the relationship between humans and horses was primarily based on transportation, herding, and agriculture. Over time, horses became essential for…
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Artikel Jurnal
An Aesthetic Analysis of Marginal Decoration in the Tradition of Iranian Islamic Book Arts: A Case Study of the Ilkhanid Tabriz, Timurid Herat, and Safavid Tabriz Schools
Introduction: Iranian visual culture encompasses a wide range of artistic and aesthetic elements that distinguish it from many other cultural traditions. Among these elements, marginal decoration occupies a significant place and has played an important role throughout the history of Iranian art…
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Artikel Jurnal
Visual Features of the Shahnameh of Olfat from the Qajar Period in the Central Library of the University of Isfahan
Introduction: In the history of Iranian painting, illustrated copies of the Shahnameh have consistently attracted the attention of artists and court patronage . Following the flourishing tradition of manuscript illustration during the Safavid period and the transitional Afshar and Zand periods, the…
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Artikel Jurnal
A Structuralist Analysis of Sultan Sanjar and the Old Woman by Sultan Mohammad with a Focus on Movement
Introduction: The close relationship between literature, particularly poetry, and the visual arts in Iran reflects a long-standing interaction shaped by historical contexts and artistic developments. This relationship is especially evident in the works of Hakim Nizami, who, while narrating moral…
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Artikel Jurnal
Discursive Conflicts of Fadaeian Islam and the Khalq Party in the Graphic Design of Nabard‑e Mellat (1940–1955): A Study Based on Laclau and Mouffe’s Discourse Theory
Introduction: Nabard-e Mellat (Battle of the Nation), a weekly journal founded in 1940 and owned by Amir Abdullah Karbaschian, was officially licensed by the Press Commission of the Ministry of the Interior as a non-political publication devoted to literary, religious, and moral subjects. In…